Week 13: The Killing Joke - Q&A

The Killing Joke Q&A

• What is your reaction to the text you just read?

Eh. I'm honestly really bored of Batman, and of grim dark superhero stories in general. I think there's been an over-saturation of that kind of content, and The Killing Joke reminds me of that. It's got everything that while I'm sure was shocking and cool when it came out that I'm tired of, particularly the treatment of Barbra Gordon. Seriously, how many girls have to suffer in media for that sweet, sweet man pain?
The thing that definitely interested me the most was the Jokers backstory, which caught me off guard and made me feel bad for the poor guy, which I'm sure was part of the point. I'd never seen a backstory for him, so to see his origin story was cool.

• What connections did you make with the story? Discuss the elements of the work with which you were able to connect.

I didn't really connect with anything. I think there'd be a larger issue at hand with me if I had, honestly... I did feel sympathy for the Joker after seeing his backstory, and obviously felt bad for Detective Gordon and his daughter, but I can't really say that I connected to anything in the story.

• What changes would you make to adapt this story into another medium? What medium would you use? What changes would you make?

I don't think there's enough content in The Killing Joke to make a movie, so that's out. I think the story would work best as an episode of a Batman television series, which makes me wonder how it would work specifically in the context of the Bruce Timm Batman series from the 1990s. I would honestly change the treatment of Barbra Gordon, as I find paralyzing her completely unnecessary.

Week 13: Reconsidering the Superhero

Hellboy by Mike Mignola

This week I read a smattering of Hellboy comics by Mike Mignola. Hellboy is absolutely my favorite superhero who isn't a superhero. In particular, The Chained Coffin and Other Stories does a really good job of showing that Hellboy isn't necessarily a typical superhero - he's just doing his job.

Mignola treats Hellboy and his antics with a huge dash of humor, often giving Hellboy something funny to say in the heat of the moment, something very typical of a superhero who has a sassy side - Spiderman immediately comes to mind.

All in all, typical superhero comics don't really interest me anymore. I don't need to see Batman's origin story for the 40th time, I don't need to see Gwen Stacy die AGAIN, and I really am not down to watch Superman show down with Lex Luthor for the 8 millionth time. Stories that give me variety and bring something new to the table is what I'm looking for when I look at superheroes now.

Hellboy is a great superhero because he's kind of not a superhero, get me?

Week 12: Comics By Women

This One Summer by Jillian and Mariko Tamaki

This week I read This One Summer by cousins Jillian and Mariko Tamaki. I was really excited about this week, as I have a firm and slightly biased belief that women are better writers than men are. I'm not saying there aren't good male writers - Terry Pratchett did walk this earth, after all - but in general I find women are shoved to the side for men who are usually not as skilled. 

This One Summer is a really simple story about being in that weird time of your life as a kid where you're not a teenager, but also not young enough that your parents completely shield you away from tough topics. It's that weird transitional period where you start to get exposed to difficult aspects of life little by little, something portrayed well in This One Summer via the problems between the main characters parents, and her relationship with her mother.

It's also unfortunately that time in your life where you're kind of a little shit head. This One Summer is unflinching about that, as the two girls are navigating what is and isn't appropriate to say - like when they called a girl a slut and one of their mothers admonished them, saying it's weird to say that when you don't even know the person. 

This One Summer is a fleeting glimpse of a persons life during a time that becomes nostalgic when someone is over. It's a wonderful read!

Week 10: Manga and The Japanese Comics Tradition

Ranma 1/2 by Rumiko Takahashi

For this blog post, I reread one of my top favorite mangas, Ranma 1/2! I really admire Rumiko Takahashi as an artist, and really enjoy the way she handles her stories and her characters. A comic like Ranma, that deals with a protagonist that changes from a boy to a girl via water, could have gone in a demeaning and horrible direction really quickly, but Takahashi handles it with such grace and humor that it's not really surprising that the manga is as successful as it is. 

Takahashi has had success in a variety of genres, something a lot of artists can't say for themselves. She's able to portray romances in a wonderful and realistic way, and also draw insanely cool battle scenes, as seen in her other work, Inuyasha.

Genuinely, I think manga gets generalized too much in the west. It's considered a genre instead of what it actually is - the art of an entire nation. It gets disrespected in ways we wouldn't dream of disrespecting western comics, even though often enough it has more variety in story and art style than western comics have.

Week 9: A Wide World of Comics

Moebius

For this post I read a bit of volume 1 of Incal, and Heavy Metal, both illustrated by Moebius.

I greatly enjoyed the Heavy Metal stories more than I enjoyed Incal, art and story wise. I didn't find the story or art in Incal appealing, which is rare for me when it concerns Moebius. Heavy Metal, on the other hand, was enjoyable with a diverse amount of stories that all had interesting plotlines. Incal's coloring style kind of ruined Moebius's linework, while the way it was colored in Heavy Metal really allowed it to shine on it's own.

My favorite story from Heavy Metal is a tie between the first two, where two young people decide to travel together to explore the world, before getting shot down by war hungry humans. The second story is a futuristic style short about a delivery boy who is disgusted upon witnessing the gods of the world mercilessly play with the life of a champion.

All in all, European comics have more substance than american mainstream comics, as their comics market isn't entirely dominated by superheroes likeAmerica's comic market unfortunately is.

Week 8: Stereotypes and The Ethics Of Representation

Stereotypes in Media

As a Latina living in the modern world, I've seen enough media to realize the general populations idea of what latino people are - assumed to be mexican, and if you're a young woman you've absolutely got to be fiery and sexy, and if you're older you're either a nanny or a maid. If you're a man, you're a creepy dude with a mustache and working as a gardener. It's tiring to witness this kind of thing on a daily basis, and whenever people portray latinos as actual people, it comes as a shock to non latinos. 

To be frank, stereotyping of any kind to me is seen to be unnecessary, just because even if the stereotype seems to be a positive thing (i.e., all asian people are smart!), the real life consequences of pushing those stereotypes onto people hurt them. The only time I support stereotyping is when creators are using it as a vehicle to discuss wider issues with how different races are portrayed - essentially I only agree with it if the creator is making a point or is going to flip the stereotype on it's head. 

Stereotyping hasn't necessarily affected me the way it does to other latinos. I have my mothers lighter coloring, and don't have any kind of accent, so for the most part I don't "pass" for latino, which is a whole other conversation - the idea that certain races have to look an expected way. I do, however, get a lot of people expressing surprise that I am latina, and saying they "don't expect it" or that "I don't look latino", which has been said in a weirdly complimentary tone. I have a larger than usual nose as well, which makes a concerning amount of people assume I'm ethnically Jewish based off of the stereotype of Jewish people having large noses. 

All in all, I see stereotypes as something annoying and outdated. As artists, and people, we need to be able to portray people of all races as independent individuals, instead of relying on tired and more likely than not racist assumed ideas on how a person is because of their race.

Week 7: Maus Analysis/Response

Maus by Art Spiegleman

Maus is a graphic novel by Art Spieglman about his father's life before and during World War II, specifically during the Holocaust. Speilgeman employs interesting visual representations of different races/ethnicities in Maus - he depicts Jewish people as mice, while Germans and Poles are depicted as cats and pigs. Throughout the story, this type of representation occasionally deliberately falls through, such as when Spieglman is wondering whether or not to portray his wife, a french woman who converted to Judaism, as a mouse or not.

Maus is also one of, if not, the first graphic novel to be seriously considered in an academic context. Comics have a history of being considered non-academic and frivolous, but Maus changed that due to it's subject matter and artful storytelling. It paved the way for comics of a more serious/historical context, like March, a comic about the civil rights movement. It gave academics a chance to realize that comics can be useful tools in order to teach, giving them a new way to engage people.

All in all, Maus is a well done and beautiful story, it's look into a life of someone who lived through a time of widespread tragedy and the relationship between a father and son.